Poul Anderson was and is one of the few science fiction writers who have really pleased and satisfied me as regards the points I listed in the prior paragraph. Even when he goes beyond what we currently know in the sciences, he is careful to explain how things like a FTL drive MIGHT work (and SOME scientists don't totally dismiss FTL as a possibility). Anderson is also very convincing in showing how human societies of the future might arise and work. And I especially admire the skill and care in how he worked out ways non human intelligent races might evolve, live, think, organize themselves into societies, etc.
I have long wished some adventurous movie producer or director would take a chance and try filming versions of some of Anderson's stories and novels. It's my view that cinematic versions of his Nicholas van Rijn and Dominic Flandry tales would be good candidates for such an effort. I have thought that a good choice for such an experiment would be a filmed version of Anderson's "The Game Of Glory." Because that story might need only minimal special effects and could be filmed mostly in, say, the Bahamas Islands. I think a film like that would be a good way for a producer/director to gain experience in how to satisfactorily produce cinematic versions of some of Anderson's stories.
Here I digress a bit. Many of the STAR WARS movies famously begins with a textual crawl beginning with the words "A long time ago in a galaxy far, far away..." The purpose of the textual crawl is to impart to viewers some background information and help set the mood desired for watching the movies. It's my belief that any filmed versions of the Nicholas van Rijn or Dominic Flandry stories should begin with a similar textual crawl. AND, a text that could be used for introducing any Flandry movies already exists. I have a first edition hardback copy of Anderson's collection FLANDRY OF TERRA (Chilton Books: 1965). The jacket cover text for this edition would, with some editing, make a very good textual crawl for these hypothetical Flandry movies. The text below was copied from the book jacket.
Captain Sir Dominic Flandry of Terra's Imperial Naval Intelligence Corps returns, dashing and debonair as ever, for more adventures among the starsThe text quoted above was a general summary--next came material specifically relating to the stories in FLANDRY OF TERRA. The material I'll be quoting should be included after the text quoted above for the movies made for different stories. For Nyanza, the planet seen in "The Game Of Glory," the book jacket said: "One such involves a world of ocean, settled by humans of African descent long before. Somewhere, hidden from prying eyes, is an enemy agent--and what an agent! He has to be found, and found at once, all one hundred feet of him!"
Long before Flandry was born, mankind had spread widely through the galaxy. Humans had colonized many strange planets. Then came a Time of Troubles out of which eventually arose the Terran Empire, rich and peaceful. But some of those ancient colonies had been lost, and in these lost colonies, civilization had gone its own curious ways.
Now the Empire has grown old. It wants nothing but peace in which to enjoy the pleasures of its wealth. No longer are the barbarians and the rival, non-human powers held at bay. Hungrily, they press inward. Only a few devoted men risk their lives to stop the march against mankind.
Captain Flandry is one of these. Spying, intriguing, fighting--joking, drinking, wenching--he goes from world to world on his lonely missions.
The text I'll be quoting here should be placed after the indented material I quoted above for any filmed versions of "A Message In Secret": "Next, rumors reach Flandry of suspicious goings on through the chilly plains and polar snows of Altai, the lost ice world settled by clans of Mongols. He suspects that Merseia, Terra's great enemy, is somehow involved, and goes there to see for himself. At first the Kha Khan receives him hospitably, even sending him a girl from the royal harem. But this girl blurts out the truth, that Merseian agents are indeed at work to turn Altai into a military base. Flandry has to escape the palace to save his life and hers. Then he has to warn Terra--and he is cut off in the wilderness, with no way to get at a spaceship. The best of fighting men can accomplish only so much; after that, he must depend on his own wits." And I especially admired the ingenious way Flandry found for getting a message sent to the Empire!
This is what the book jacket said about the last story in FLANDRY OF TERRA, "The Plague Of Masters": "Unan Besar is almost the opposite of Altai. This is a warm, rainy planet whose civilization has developed from a Malayan stock. It looks peaceful, backward, even idyllic. But Flandry soon finds it is under a ruthless scientific tyranny. And almost at once, the agents of that government are out to kill him. He takes refuge in the slums, is captured by Kemul the mugger, and brought before beautiful, catlike Luang. His first need is a supply of those pills without which men soon die in the poisonous atmosphere of Unan Besar. After that he must get off the planet and break the stranglehold of its government. But Luang shows no particular interest in helping him."
I think the text about Unan Besar should be edited before being placed at the beginning of any filmed version of "The Plague Of Masters." First, I would eliminate as unnecessary the mention of Altai. Second, I think too much is given away about the plot of the story with the mention of how a special medicine is needed for human beings to continue living on Unan Besar.
IF done well I think any filmed versions of stories featuring Nicholas van Rijn and Dominic Flandry would be better, more convincing, than the STAR WARS or STAR TREK shows and movies.
